By the ONIMA team · Updated 22 October 2026
01 / The recording: master rights
The master is a particular sound recording. A distribution agreement concerns delivery and the agreed administration of that recording. Ownership, licensing and revenue shares should be checked in the relevant agreements.
02 / The composition: publishing rights
The underlying song is separate from the recorded performance. Songwriters and publishers may control shares of the composition. Composition registrations and royalty administration use information that differs from recording delivery metadata.
03 / Keep the identifiers distinct
An ISRC identifies a recording. Composition registration uses work and writer information, including identifiers where available. A recording identifier does not replace accurate songwriter names, splits or work registration.
04 / Agree the scope before appointing a partner
Ask which rights, territories, services and term are covered. Check reporting, payment, fees, revenue shares and termination arrangements. Distribution does not automatically include every publishing service.
05 / Bring the right information
For ONIMA’s review, prepare recording ownership, writer splits, existing administration agreements and the services you need. Any proposed scope is defined in your agreement; this guide is general educational information.
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